Alumni News

Bennington Mentorship

Kent Hikida 鈥85 knows the value of the Bennington network extends long after graduation. Along with his wife, Amy Schweitzer Hikida 鈥85, he co-chairs the New York City Steering Committee for the Bennington Alumni Cooperative.

Kent Hikida and Bennington architects

Over this winter鈥檚 Field Work Term, Hikida hosted Bennington students and alumni interested in architecture and design at , where he is a principal architect, for an Architect鈥檚 Winter Warm Up meet-and-greet.

Events that connect students and alumni foster a larger sense of community, explains Hikida.

鈥淲henever alumni see students, we鈥檙e inspired,鈥 said Hikida. 鈥淚t brings us back to when we were students, and we have a lot in common, despite however many years go by.鈥

Though four years may seem daunting to students just beginning their collegiate journeys, Hikida is quick to welcome even newly admitted students to the Bennington alumni community.

鈥淭hey鈥檒l be alumni a lot longer than they鈥檒l be current students,鈥 said Hikida, and those bonds only grow stronger over time. 鈥淭here鈥檚 a real affinity between alumni and current students, which doesn鈥檛 change over the years. Someone can be a first-year student or an alum from 40 years ago, and they鈥檒l still feel that connection.鈥

Rohail Altaf 鈥17, Faruk Calkic 鈥18, Frances Erlandson 鈥20, River Valadez 鈥20, and Akanchya Maskay 鈥21 joined the Hikidas for the Winter Warm Up event. The group discussed Bennington鈥檚 campus renewal endeavors, and Maskay shared her recent Field Work Term experience interning at , the firm behind 51成人猎奇鈥檚 Commons renovation.

鈥淚t was exciting for Akanchya,鈥 said Hikida. 鈥淪he鈥檚 seen of the renovation, and then she got a new perspective from the architect鈥檚 side working from their New York-based office.鈥

The group also shared stories of Field Work Term experiences past and present.

鈥淲e had a helpful discussion about where a six- to eight-week-long Field Work Term experience may fit within the scope of a normal architecture project, which last months or even years,鈥 said Hikida. 鈥淔or me, that sparked thoughts to help alumni re-envision how we offer Field Work Terms to students, ways to introduce our work by giving students specific assignments that are important to our clients within that broader project.鈥

The gatherings Hikida now hosts mirror those offered to him during own admissions process. Hikida, who came to Bennington from California, never visited campus prior to enrolling, but he felt welcomed even before he arrived.

鈥淎fter I applied, there was a meeting of prospective students hosted at an alum鈥檚 home in Berkeley,鈥 said Hikida. 鈥淭he director of admissions met my father and me, and afterwards, he sent a nice personalized note with an article he had clipped out because he knew I was interested in writing and music. The article was about Bill Dixon, who ended up being my first advisor.鈥

As a high school student, Hikida was disillusioned by traditional education that 鈥渇elt like learning to check off boxes in order to go to the next step, rather than learning for learning鈥檚 sake.鈥 For college, he decided he wanted a low student-to-teacher ratio and to create his own curriculum without being confined to a major.

鈥淎s a sophomore, I spent my free time at the library looking through college guides, and Bennington came out on top of the list,鈥 said Hikida. When it came time to start, 鈥淚 got a map, got into the car with a friend, and together we drove 3,000 miles to Bennington. It worked out well; it was everything and more than I wanted.鈥

While at Bennington, Hikida鈥檚 studies were focused on Architecture and Literature, but he never felt limited to just these fields.

鈥淓ven as a senior, as I worked on my thesis, I was still able to take music and photography courses,鈥 said Hikida. 鈥淭he opportunity, time, and space that allowed me to to have a broad liberal arts education shaped me as an architect and a person.鈥

Similarly, his Field Work Term experiences ranged across disciplines. He found inspiration and help along the way from both the Bennington community and his own family.

鈥淒uring my first Field Work Term, I wanted to travel, so I found a position as an artist assistant with Susan Unger 鈥71, who was living in Northern Spain while running a silkscreening studio,鈥 said Hikida.

For his second Field Work Term, Hikida鈥攚hose sister is a clinical psychologist and whose mother was a marriage and family counselor鈥攄ecided to pursue an internship in psychology. He took a position in Berkeley working with schizophrenic kids and teens.

鈥淥ne of the values of Field Work Term is it not only leads you in directions you might want to go, but it also lets you know there are certain paths you might not want,鈥 said Hikida. 鈥淔rom both of those experiences, I felt like I wasn鈥檛 going to be an artist living in Spain or a psychotherapist.鈥

Hikida鈥檚 third Field Work Term, however, was right up his alley. He worked for the father of his classmate, Nathan Thompson 鈥86, who was a carpenter and ran a small building firm in Berkeley.

鈥淒uring that Field Work Term, I realized how much I liked building, construction, and 3-D problem solving, which reinforced my love of architecture,鈥 said Hikida. 鈥淏ut all of my Field Work Terms were valuable chances to explore, whether or not they were in fields I thought I鈥檇 go into.鈥

The process of seeking out Field Work Term experiences was also its own lesson, one which continued to serve Hikida after graduation.

鈥淎rchitecture wasn鈥檛 booming in Boston in the late 1980s, so I had to be scrappy,鈥 said Hikida. 鈥淏ut I had the experience of sending out letters, being persistent, and following up. Field Work Term gives you the grit and determination you need to make it a job to find a job.鈥

Eventually, Hikida says, this resilience pays off.

鈥淎rchitecture is a cyclical business,鈥 said Hikida. 鈥淲hen there鈥檚 a recession, many people lose their jobs and decide to pursue another field. But if you keep at it when others don鈥檛, there is a gradual pay off. When the economy picks up, and there are fewer people with years of experience in the game, you can be highly sought after. It becomes simple supply and demand.鈥

Hikida loves Randy Pausch鈥檚 quote from The Last Lecture about the reason for brick walls: 鈥淭he brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something.鈥

鈥淟ife does not just open doors for people; it takes persistence and nerves before you get to the yes,鈥 said Hikida. 鈥淏ut plugging along, not taking no for an answer, is really useful.鈥

Bennington students and alumni interested in connecting with Kent Hikida are welcome to email him at khikida@theswitzergroup.com.

Photo, from left: Kent Hikida ('85), Amy Schweitzer Hikida ('85), Rohail Altaf ('17), Faruk Calkic ('18), River Valadez ('20), and Akanchya Maskay ('21). Not pictured: Frances Erlandson ('20). 

 

By Natalie Redmond, Associate Writer